Hiroshige II, born in 1826 as Suzuki Chinpei and first known by the artistic name Shigenobu, was the most accomplished and successful pupil of the great landscape master Utagawa Hiroshige.
After the death of his teacher in 1858, he married Hiroshige`s daughter, Otatsu, and inherited the prestigious Hiroshige name, becoming known as Hiroshige II. Following the dissolution of the marriage around 1865,
he moved to Yokohama and adopted the name Kisai Risshō (Ryūshō), under which he continued his artistic career.
Hiroshige II is best remembered for his landscape prints, which follow the style of his master so closely that even modern scholars have sometimes struggled to distinguish their works. While remaining faithful to Hiroshige`s
artistic vision, he demonstrated considerable technical skill and played an important role in preserving and extending the tradition of landscape ukiyo-e during the final years of the Edo period.
Throughout his career, he collaborated with notable artists of the Utagawa school, including Utagawa Kunisada, and produced a wide range of works. In his later years, he also decorated export goods such as tea chests, lanterns,
and other lacquered objects. He used several art names during his lifetime, including Ichiryūsai, Ryūsai, Shigenobu, Kisai, Ryūshō, and Risshō.
Among his most celebrated series are One Hundred Famous Views in the Various Provinces (Shokoku meisho hyakkei), Thirty-six Views of the Eastern Capital (Tōto sanjūrokkei), and Eight Views of the Sumida River. These works clearly
reflect the influence of Hiroshige I`s celebrated landscape series while demonstrating Hiroshige II`s own mastery of composition and colour.
Although he never achieved the international fame of his master, Hiroshige II remains one of the most important successors of the Hiroshige lineage and a significant figure in late Edo-period ukiyo-e. He died in Yokohama in 1869,
leaving behind a substantial body of work that continues to be admired by collectors and scholars alike.
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