Utagawa Yoshitaki

1841 ~ 1899

Utagawa Yoshitaki, also known as Nakai Yoshitaki, was one of the most prolific ukiyo-e artists active in Osaka during the late Edo and early Meiji periods. Born into the family of a paste merchant, he began studying under Utagawa Yoshiume at around the age of twelve, and his earliest known prints date from approximately 1854.
Yoshitaki produced a remarkably large body of work, consisting predominantly of chūban-format yakusha-e portraying actors and scenes from contemporary kabuki performances. Together with Hirosada, he is regarded as one of the leading designers of Osaka actor prints during the nineteenth century. Although theatre subjects dominated his production, he also created bijin-ga, warrior pictures, landscapes, illustrated newspapers, advertisements, and paintings of women, occasionally working in formats larger than the chūban traditionally associated with Osaka printmaking.

Artwork Description
Matsuōmaru and Umeōmaru
Meiji
Against night-blue mica backdrops, the brothers Matsuōmaru (upper) and Umeōmaru (lower) stand before the gate of Sugawara`s mansion, foreshadowing the celebrated “Kurumabiki” scene of Sugawara Denju Tenarai Kagami Act 3.
The story is inspired by the life of Sugawara no Michizane (菅原道真), a Heian-period court noble who was falsely accused of conspiracy and later exiled to Kyūshū. In the play, the fictional triplets Matsuōmaru, Umeōmaru, and their brother Sakuramaru play significant roles, symbolising loyalty and devotion to Michizane.
USD$ 177.00
Artwork Description
Onoe Tamizō as Sagizaka Bannai
Meiji
Sagisaka Bannai, the foppish and buffoonish retainer of Moronō, is shown mid-motion, dressed in a flamboyant red robe adorned with cranes and bamboo.
This scene, from Chūshingura Act 3, captures the moment before En`ya Hangan is humiliated by Moronō, setting the stage for the vendetta. Yoshitaki emphasises Bannai`s exaggerated posture and expression, highlighting the comic tone he brings to an otherwise solemn act.
USD$ 99.00
Artwork Description
Kataoka Matsutarō as Chūrō Onoe
Meiji
The kabuki actor Kataoka Matsutarō portrays the onnagata (a male actor specialising in female roles) character Chūrō Onoe, likely from a kabuki play titled Kagami-yama.
This print may belong to a larger composition, such as a diptych or triptych, a common format in Yoshitaki`s body of work.
The actor`s and character`s names are displayed in the blue cartouche at the top left corner. The publisher`s seal appears in the bottom left corner, while the artist`s signature, Yoshitaki, is positioned on the opposite side.
USD$ 79.00
Artwork Description Sold Out
Arashi Rikan
Meiji
The kabuki actor Arashi Rikan playing the role of a warrior.
Hyōmenzuri (表面摺り), the technique of rubbing the front side of the print with the baren has been used for enriching the aspect of this print. It gives a lacquered-like effect that can be observed backlight.
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Artwork Description
Tsunayoshi and Osame no Kata
Meiji
This Japanese woodblock print diptych vividly captures a scene from kabuki a theater drama, featuring two actors in elaborate traditional costumes. On the right, the actor Jitsukawa Enjaku I portrays Tsunayoshi, seated in a dignified pose with a focused expression. His costume is richly decorated in blue and green tones, adorned with intricate patterns that convey his noble character. On the left, Nakamura Fukusuke III plays Osame no Kata, shown in a more dynamic pose as she leans forward, holding a fan, dressed in a vibrant red kimono patterned with floral and geometric motifs. The background and props, such as the traditional Japanese screens and pine tree, enhance the historical and cultural setting of the play, emphasizing the artistry and attention to detail characteristic of ukiyo-e prints from this era.
The overall composition beautifully illustrates the theatricality and color of kabuki performances, capturing the essence of the characters and the dramatic tension of the scene.
USD$ 145.00
Artwork Description
Inuyama Dōsetsu grapples with Nakamura Shibazō
Meiji
Beneath a moon-lit bamboo lattice we witness a climactic scene inspired by Nansō Satomi Hakkenden, the sprawling Edo-period prose epic in which eight samurai brothers, each bearing the character for “dog” (犬) in his surname, struggle to restore their clan`s honour.
According to the tale, these warriors are the miraculous offspring of Princess Fuse and her father`s loyal dog: after her tragic suicide, the eight beads of her rosary, symbols of Buddhist virtues, scatter across the land and reincarnate as boys, who reunite sixteen years later to fulfil their shared destiny.
In this print, Inuyama Dōsetsu (black robe) grapples with Inukawa Sōsuke (blue robe), their swords almost crossing in a tense indoor duel while incense smoke curls at their feet and a full moon heightens the drama.
USD$ 165.00